Preliminary Research
During my holiday in Spain, I
took a lot of photographs.
If one would skim through over 800 photographs I've taken from
this trip,
he will probably say, that they look inconsistent
and without theme.
In one sense, such a claim will be justified, for there is a
photograph of a man using a mobile phone in a street,
a photograph of a dog, children playing in the
fountain and a photographs of street signs and buildings.
Indeed they do look inconsistent.
However, for the whole duration of my trip, I was concious about
the works of four great documentary photographers:
Eugene Atget, Helen Levitt, Berenice Abbott and Henri
Cartier-Bresson.
Before departing to Madrid, I've researched the works of the
above four photographers in order to emulate some of their photographic
techniques and skills.
Here are the examples of the photographs I was inspired
by:
Eugene Atget
1. The Organ-Grinder and the Singing Girl
This photograph was taken by Eugene Atget (1857-1927) in Paris at the
end of the 19th century. Like many artists lived in this period,
the works of Eugene Atget
were not recognised by the general public durign his lifetime but they
were later
'discovered' and promoted by Bernice Abbott, an American documentary
photographer (who is introduced below). Eugene Atget worked under
the French authority
who
commissioned him to 'record anything that was left that had
any
architectural substance', and left many photographs taken in
Paris. His photographic interest varied
from architecture, urban environment to
the lives of ordinary people,
such as the one shown above.
Comment on the photograph
The facial expressions of the two people in this picture, of a man and
a girl are very
contrasting. The girl is singing with a beam of happiness,
enjoying
her work as a young singer. In contrast, the face of a man,
perhpas
her father, looks
grim. It shows that the man knows the hardship of living,
difficulty
of making money and perhaps the cruelty of social injustice.
Their clothe look old and
worn, indicating that they belong to the low class
of the society.
The puddle shown on the bottom right corner is
effective in emphasising the two characters poor condition. The
overall image of the photograph
summarises the difficulty of the lives of many
working class people living in this period in Paris.
Application to my trip
I will focus on the everyday lives of the native Spanish people and
will try to take a photograph that represent in microcosm the lives of
the people
in modern Spain.
Bernice Abbott
2. Designer's Window
Berenice Abbott (1898-1991) was born in Ohio USA. She is famous
for her documentary photographs of the New York city, where she taught
photography
for more than twenty years. In her early days, she studied
photography in New
York as well as in Paris during which she discovered a talent of city
photography.
Comment on the photograph
Berenice Abbott is extremely good at finding small things that people
often tend to overlook, such as raindeer in a show window as
shown above. The photograph,
taken in the New York city, is left with many traces of the
characteristic of
the city. For example, the reflection on the window which shows
the room
lights of an apartment standing opposite, or the electronic sign above
the raindeer, which reads
'BOWLING'. The serene look of a raindeer
describes well how she
viewed this city.
Application to my trip
There are many things to learn from Abbott's photographs, one of
them is her focus on the details. Looking at Abbott's
photographs, they show evidence
of her skills to realise small objects or events that describes the
overall atmosphere of the city.
Henri Cartier-Bresson
3.
4.
Henri Cartier-Bresson (1908-) was born in France and started his
artistic career as a painter, having studied in Paris in his
youth. He began his career as a
photographer from the age of 23.
Comment on the photographs
Both photographs shows a person walking across a street. With the
skills of Cartier-Bresson, this ordinary topic is turned into an
amazingly interesting subject.
The timing of these photographs were very well considered. The
photograph on the left, of a woman just finished crossing a silent
street, has a very
quirky atmosphere. The photograph prompts the viewer to ask, why
there is nobody else
around? Who is she? What time of the day is this?
Where in
Paris was the picture taken?
The photograph shown on the right, is of a man crossing a street, this
time approaching towards the viewer.
Cartier-Bresson made this photograph very artistic by
the effective use of a tree which boldly cut through the middle of this
photograph, a very interesting composition.
Application to my trip
Timing and composition are the two things I was compelled by his
photographs. His photograhs taught me that any ordinary subjects
can potentially
become artistic piece of work.
Helen Levitt
5. New York
Helen Levitt (1913-) was born in Brooklyn, New York. Her works
focus on the lives of ordinary New York citizens, with particular focus
on the people
who lived in the poor districts. Her photographs of children are
particulary famous..
Comment on the photograph
The expressions on their faces give the viewer a warm feeling and a
smile. The graffiti in the background, 'Home Team the
REDS', indicates that this place is their
favourite playground and a barely seen scoreboard on the left, hints
that this place is used as a baseball ground.
The
buildings shown on the right, behind the fences, look derelict and
indicates that this is one of the poor districts in
New York.
The three boys are in full motion, one running away
desperately but with a smile, the two boys on the left fighing each
other, not violently, but playfully.
Overall, this photograph brings the viewr back to his youthful days and
stirs nostalgia.
Application to my trip
I really like the photographs of children taken by Helen Levitt.
I will try to take similar photographs of children that give a warm
feeling to the viewer.
Overall comment
The photographs of the above four photographers stir my emotions
and make me
relate to the photographers' feeling when the photographs were taken.
These photographs make me ask a key question - 'what was the
photographer's trying to
say?'
Each of the above photographer captures the lives of the people in
distinctly identifiable places, with the minimal amount of information
on the photograph.
The focus is on people, but the message is attached to the location.
I will take account of these attributes during my trip to Spain.
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